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LITERARY TRUSTS
Literary property trusts are trusts
like any other. They are distinguishable because the only
or main asset comprises literary property, such as novels,
short stories, plays and screenplays. Literary property trusts
may be created by deed or by will.
Trust Administration
One aspect of the work undertaken by this firm on
behalf of literary property trusts is the day-to-day trust
administration. This is vital to the smooth-running of any
trust, and is similar to the work routinely carried out in
respect of any other trust. This comprises managing all administrative
and financial aspects of the trust, including trustee meetings,
bank accounts, investment portfolios (if any), preparing trust
accounts and VAT returns.
This work, including the preparation of trusts accounts for
private and charitable trusts, is undertaken in-house by our
specialist Trust Management Team within the Private Capital
Department.
Intellectual Property Rights
The firm advises trustees on all aspects of rights
management, please see our Intellectual
Property Group
Approvals
When negotiating any agreement for the exploitation of rights,
the trustees should include the right to approve all key stages
of the creative process to ensure that the author is consulted
on style issues and involved in the development of the project.
Trustees are often selected by the author for their particular
expertise in, eg, publishing, or because of their familiarity
with the author's works, which will enable them to monitor
quality.
Protecting the Rights
This function extends to handling a trade mark registration
programme, as well as building in rights of approval. Where
appropriate, clients are advised to consider the use of trade
mark watching services in conjunction with trade mark agents.
Planning for the Future
Some authors are fortunate enough to be successful
during their lives, some afterwards, and some both. However,
it is always wise to plan for the future.
The works of the late Sir Terence Rattigan continue to be
popular many years after the playwright's death in 1977.
Another example is J R R Tolkien's, Lord of the Rings books.
The first of the series, The Hobbit, was originally published
in 1937, and The Fellowship of the Ring in 1954. The books
have been republished by HarperCollins, and a major motion
picture - a film version of The Fellowship of the Ring - was
released in a blaze of publicity. It proved to be a major
box office attraction.
Authors should, therefore, consider making suitable arrangements
for the ownership of their literary rights, both during and
after lifetime.
If no specific provision is made in a will, copyright will
have to be dealt with by the personal representatives, along
with the deceased person's other property. However, an author's
general personal representatives may not have the necessary
skills, knowledge (or indeed the inclination) to manage intellectual
property rights. An author should consider whether it is appropriate
to appoint separate literary executors to deal with literary
rights independently from other assets.
Different trusts can be considered. A lifetime trust or discretionary
trust, or a trust in favour of the author's children for tax
planning purposes might be suitable. If the author wishes
to give away income to charity a charitable trust might be
appropriate.
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